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Reframing postmodern ideology with traditional ethnographic film

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dc.contributor.advisor Arounsack, Steve
dc.contributor.author Westfall, Tammy Kay
dc.contributor.other Miller-Antonio, Sari
dc.contributor.other Olivant, David
dc.date.accessioned 2017-05-02T00:16:23Z
dc.date.available 2017-05-02T00:16:23Z
dc.date.created 2017 April en_US
dc.date.issued 2017-05-01
dc.identifier.other Master of Arts in Interdisciplinary Studies en_US
dc.identifier.uri http://scholarworks.csustan.edu/handle/011235813/1093
dc.description.abstract The fusion of postmodern tenets and principles with traditional cultural anthropological theory and methods in ethnographic films appears generally undervalued. To highlight and analyze some of the constructive results of this fusion, an ethnographic documentary titled, “…an American Subculture? A Visual Anthropological Study” was produced. Additionally, this research examines and critiques three different applications of postmodern principles that were used in the documentary: the concept of researching only “marginal and excluded” groups; polyvocality (multiple dialogues); and the ethical postmodern stance on the representation of a group through the consideration of how an audience might perceive information provided within a documentary. en_US
dc.language.iso en_US en_US
dc.title Reframing postmodern ideology with traditional ethnographic film en_US
dc.type Thesis en_US

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